TNPC presents…THE 100 GREATEST ALBUMS MADE BETWEEN 1986-99

Greatest Records
Begin The Begin

The NME’s all-time top 100 of 1985, which marks the cut-off point for our second poll and the beginning of our third, fixed in the public imagination both the concept and the content of The Canon. There had, of course, been similar lists before  – not least the NME’s initial one in 1974, which set the boundary for our first poll – but they had been comparatively few and seemed to cause few wider ripples.

The 1985 list, though, cast up a barrage of talking points of talking points and set the template for innumerable future lists, including NME reruns, although many simply appeared to shuffle the same albums into a different order and freshen it up with a few more recent releases.
But crucially, its also opened up a raft of, for many, hitherto obscure or unconsidered influences to be plundered  for years to come. It often seems that albums which recur on these lists are more often talked about than played, and those who claim their influence sometimes appear to have only half-heard them through a haze at 5am on numerous mid-’90s Sundays, but curiosity was undoubtedly piqued and that decade, in particular, would prove to be ripe for reinventing the funk, rusticity and hallucinations of another age.
Love Goes On!
The following decade and a half passed through three or four distinct phases and the landscape by the end of the millennium bore as little resemblance to the mid-80s as the mid-80s to the early 70s, or the Jazz Age to the Edwardian era.

In 1986, things were as fragmented and as polarised as they had ever been, with a particularly garish mainstream, the C86 scene which proudly defined itself against rock at its most troglodyte and pop at its naffest alike and the burgeoning house and hip-hop sounds which would come to conquer the solar system. Others didn’t fit into such tidy boxes – The Smiths, Prince, REM, Madonna – but their reward was to epitomise the era.

A lack of cohesion of this kind usually means a blank canvas and so it was that we saw the celebrated and extraordinary blizzard of creativity of 1988.  My Bloody Valentine, Cocteau Twins, Talk Talk and Pixies were among those who, independently but simulmtaneously, hit redoubtable peaks. Better still, they all sustained it with their follow-ups.

Also part of this glorious stampede was Happy Mondays’ Bummed, a cool-as-February bacchanal of physical possibilities, terrifying realities and scrambled visions. Early in 1989, I expressed the hope that it would shape the ’90s; it would, but not as I imagined. Like the Pogues and the Specials, for all their own brilliance, the Mondays’ influence would prove to be largely malign as they spawned a battery of hapless and sometimes horrible imitators. As did their Manc yang, the Stone Roses, of whom more later.

The alignment of both, particularly the Roses, to dance and acid house was, musically if not otherwise, occasionally vivid, more often vague, at times plain spurious. Those scenes were, as its staunchest  advocates were quick to remind us, an entirely different language which had no more in common with rock in any form  than Sanskrit has with Finnish. It came in on a wave of Chicago glory, unleashed drum and bass and delivered well over a decade of thrills, with or without pills.

But for a couple of years in the early ’90s, the nosebleed sound – which made so few demands on the listener that it barely seemed to exist – threatened to derail the whole thing. It coincided with a procession of bands whose primary influence was not the Who or the Clash or the Smiths or Pixies but the Wonderstuff, like a writer inspired more by Jeffrey Archer than by Dickens. Meanwhile, Nirvana brought a sound an attitude to the mainstream that had led from Black Flag, Minor Threat, the Minutemen and Husker Du – and led to Alice In Chains and Stone Temple Pilots.

Aye, they were a bleak time, the early ’90s. There was an upturn in the middle of the decade; Britpop may not ultimately have proved to be much more than a sugar rush but it did clear the air, although its own mould began to grow fast. The real action, though, was happening elsewhere.

After The Flood!

So what do we all see over the millennium bridge of 1986-99? It’s a vast horizon, broad enough to accommodate Paul Simon and the Aphex Twin, Lucinda Williams and the Wu- Tang Clan, Slint and Air. Plenty in here that you could lose yourself in – for me, the likes of Laughingstock, Mezzanine and Ladies & Gentlemen…in the words of Robert Christgau”(repay) prolonged listening with new excitement and insight.

Many I love. Many I like a great deal. None I actively dislike. Quite a few I’d like to explore further. But naturally, some I look for in vain; personal favourites such as the Band Of Holy Joy, High Llamas and Blue Aeroplanes have, despite  my own efforts, failed to gain the required support.

It’s gratifying to see my own number one, Spirit Of Eden, in the top 10. Its magic and mystery had been widely acknowledged long before Mark Hollis’ premature death last year and had even longer since been detached from the disbelief on its release that such a rich, complex and dazzlingly beautiful record had been made by a band peddling tracing paper-thin synth tunes a few years earlier (though we now know Hollis had aspired to these heights all along but limited resources had thwarted his ambition).

Pleasing as  well to see showings for the likes of Galaxie 500 and Mary Margaret O’Hara, both of whom had magnificent mayfly careers in the late ’80s and early ’90s but are now at risk of being lost to history. We’ve covered the latter and should have the former in the pipeline; that’s our job.

It wasn’t a great surprise to see the Stone Roses’ debut at the top; its popularity and influence aren’t in any doubt but I’ve always found it more than somewhat overrated. This isn’t to say that I thinks it’s a bad record; at its best, it proved that, after years of indie discos filling floors with music that could only be twitched to stiffly, they proved that this music could still be dance music. I just think there’s any number of records in a similar field that have better songs, more imagination, more guile – and haven’t  had the life sucked out of them by unending plays on Absolute Radio and XFM.

But I’m with former NME editor Steve Sutherland, who always maintained they were “a pretty good band” while remaining bewildered by the fuss, and your vote stands. Many thanks for taking part (PG).

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Like many of the other contributors to this, the third TNPC poll, I found the task of selecting my own personal Top 30 an extraordinarily uncomfortable one. That contrasted sharply with the previous polls. A considerable amount of time has passed since 1985 and the distance from then until now made it comparatively easy to remain objective in one’s analysis of the music made before then. But for my TNPC colleagues and I, just as for many of you, on this occasion objectivity did not and could not, enter the equation: this was our time, straddling the period between the twilight of our teenage years and ending well after the clock had struck thirty and we’d suddenly transformed into those hoary guys who create conspicuous little spaces around themselves at the odd gig they still manage to limp along to. It was a time which witnessed the golden era of hip-hop, an explosion in electronic music, the grunge phenomenon and something which came to be known as Britpop, most of which was so crassly opportunistic it had us reaching for the sick bag. The era was littered with records by cult favourites such as Felt, Low, Guided By Voices, The Durutti Column, The Chills and The Lilac Time, but unsurprisingly those artists seem destined never to feature prominently in this type of list. Likewise, my faint hopes that Mettle, It’s Time For Jonathan Richman & The Modern Lovers, Mercy Street and Stop Your Nonsense might dent the chart were soon vanquished by a steady stream of votes for more familiar fare. But the fact that one or two others voted for them at all felt like a small victory. It has been a pleasant surprise too to note artists such as Stereolab, Galaxie 500 and Mick Head / Shack move in from the margins to compete with the big hitters, and if I feel more than a little disappointed by the predictability of the top two, that is partly compensated for by the inclusion of some unheralded cult gems such as Rise Above and Forever Breathes The Lonely World in the Auxiliary Chart, both of which contrived to outscore the bazillion-selling Goliaths that are What’s The Story Morning Glory? (which finished up at no. 221!) and The Joshua Tree. Which is of course very much the spirit of TNPC, where on these pages – for the rest of the year at least – we continue to champion the music of the underdog.

Finally, just remember, whether the poll enthuses or enrages you, the only list that really matters is the one inside your head. Next stop the 21st Century…a whole new world of sound beyond the ‘canon’. Coming soon… (JJ)

[As is customary, the Auxiliary Chart of those albums placed 101-200, follows at the end of the main list, while the ‘One Vote Wonders’ list will be published soon.]

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The Top 100…

100. Yerself Is Steam – Mercury Rev (Mint Films / Jungle Records, 1991)

99. Sister – Sonic Youth (SST, 1987)

98. Infected – The The (Some Bizarre / Epic, 1986)

97. Ragged Glory – Neil Young & Crazy Horse (Reprise, 1990)

96. Darklands – The Jesus & Mary Chain (Blanco y Negro, 1987)

95. Radiator – Super Furry Animals (Creation, 1997)

94. You’re Living All Over Me – Dinosaur (SST, 1987)

93. XO – Elliott Smith (Dreamworks, 1998)

92. Harvest Moon – Neil Young (Reprise, 1992)

91. Miss America – Mary Margaret O’Hara (Virgin, 1988)

90. The Colour Of Spring – Talk Talk (EMI, 1986)

89. Car Wheels On A Gravel Road – Lucinda Williams (Mercury, 1998)

88. Dots & Loops – Stereolab (Duophonic, 1997)

87. The Low End Theory – A Tribe Called Quest (Jove, 1991)

86. Today – Galaxie 500 (Aurora, 1988)

85. Copper Blue – Sugar (Creation, 1992)

84. Dog Man Star – Suede (Nude, 1994)

83. In Utero – Nirvana (DGC, 1993)

82. Blood & Chocolate – Elvis Costello & The Attractions (Demon, 1996)

81. Jordan: The Comeback – Prefab Sprout (Kitchenware, 1990)

80. Definitely Maybe – Oasis (Creation, 1994)

79. Nowhere – Ride (Creation, 1990)

78. Goo – Sonic Youth (Warner Bros, 1990)

77. Waterpistol – Shack (Marina, 1996)

76. Odelay – Beck (DGC, 1996)

75. The Boatman’s Call – Nick Cave & The Bad Seeds (Mute, 1997)

74. California – American Music Club (Demon, 1988)

73. I Can Hear The Heart Beating As One – Yo La Tengo (Matador, 1997)

72. Vivadixiesubmarinetransmissionplot – Sparklehorse (Capitol, 1995)

71. Giant Steps – Boo Radleys (Creation, 1993)

70. Document – REM (IRS, 1987)

69. HMS Fable – Shack (London, 1999)

68. The House Of Love (Creation, 1988)

67. Liquid Swords – GZA (Geffen, 1996)

66. Reading Writing & Arithmetic – The Sundays (Rough Trade, 1990)

65. Tilt – Scott Walker (Fontana, 1995)

64. Spiderland – Slint (Touch & Go, 1991)

63. Bend Sinister – The Fall (Beggars Banquet, 1996)

62. Songs For Drella – Lou Reed / John Cale (Sire, 1990)

61. Graceland – Paul Simon (Warner Bros, 1986)

60. Nevermind – Nirvana (DGC, 1991)

59. Slanted & Enchanted – Pavement (Matador 1992)

58. Moon Safari – Air (Virgin, 1997)

57. Secrets Of The Beehive – David Sylvian (Virgin, 1987)

56. Warehouse: Songs & Stories – Hüsker Dü (Warner Bros, 1987)

55. Parade – Prince (Warner Bros, 1986)

54. The Magical World of The Strands – Michael Head & The Strands (Megaphone, 1997)

53. Fear of A Black Planet – Public Enemy (Def Jam, 1988)

52. She Hangs Brightly – Mazzy Star (Rough Trade, 1990)

51. If I Should Fall From Grace With God – The Pogues (Pogue Mahone, 1988)

50. Emperor Tomato Ketchup – Stereolab (Duophonic, 1996)

49. Songs From Northern Britain – Teenage Fanclub (Creation, 1997)

48. Selected Ambient Works 85-92 – Aphex Twin (Apollo, 1992)

47. Disintegration – The Cure (Fiction, 1989)

46. New York – Lou Reed (Sire, 1989)

45. Maxinquaye – Tricky (4th & Broadway, 1995)

44. Automatic For The People – REM (Warner Bros, 1992)

43. Laser Guided Melodies – Spiritualized (Dedicated, 1992)

42. Mezzanine – Massive Attack (Circa, 1997)

41. Green – REM (Warner Bros, 1988)

40. Paul’s Boutique – Beastie Boys (Capitol, 1989)

39. The La’s (Go!, 1990)

38. Bummed – Happy Mondays (Factory, 1988)

37. It’s A Shame About Ray – The Lemonheads (Warner Bros, 1992)

36. Grand Prix – Teenage Fanclub (Creation, 1995)

35. If You’re Feeling Sinister – Belle & Sebastian (1996)

34. Liberty Belle & The Black Diamond Express – The Go-Betweens (1986)

33. Hats – The Blue Nile (1989)

32. Isn’t Anything – My Bloody Valentine (Creation. 1988)

31. Grace – Jeff Buckley (Columbia, 1994)

30. Endtroducing – DJ Shadow (Mo Wax!, 1996)

29. Blue Bell Knoll – Cocteau Twins (4AD, 1988)

28. Music Has The Right To Children – Boards Of Canada (Warp, 1998)

27. Laughingstock – Talk Talk (Parlophone, 1991)

26. Time Out Of Mind – Bob Dylan (Columbia, 1997)

25. Deserters Songs – Mercury Rev (V2, 1998)

24. Life’s Rich Pageant – REM (IRS, 1986)

23. 16 Lovers Lane – The Go-Betweens (Beggars Banquet, 1988)

22. Enter The Wu-Tang (36 Chambers) – Wi-Tang Clan (Loud, 1993)

21. Crooked Rain Crooked Rain – Pavement (Matador, 1994)

20. Heaven Or Las Vegas – Cocteau Twins (4AD, 1990)

19. Dummy – Portishead (Go! Beat, 1994)

18. Blue Lines – Massive Attack (Wild Bunch / Virgin, 1991)

17. On Fire – Galaxie 500 (1989)

16. OK Computer – Radiohead (Parlophone, 1997)

15. Ladies & Gentlemen We Are Floating In Space – Spiritualized (Dedicated, 1997)

14. Daydream Nation – Sonic Youth (Blast First, 1988)

13. Bandwagonesque – Teenage Fanclub (Creation, 1991)

12. Technique – New Order (1989)

11. Screamadelica – Primal Scream (Creation, 1991)

10. The Soft Bulletin – The Flaming Lips (1999)

9. Sign O The Times – Prince (Warner Bros, 1987)

8. Spirit Of Eden – Talk Talk (Parlophone, 1988)

7. 3 Feet High & Rising – De La Soul (Tommy Boy, 1989)

6. Surfer Rosa – Pixies (4AD, 1988)

5. Loveless – My Bloody Valentine (Creation, 1991)

4. Doolittle – Pixies (4AD, 1989)

3. It Takes A Nation of Millions To Hold Us Back – Public Enemy (Def Jam, 1988)

2. The Queen Is Dead – The Smiths (Rough Trade, 1986)

1. The Stone Roses (Silvertone, 1989)

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The Next 100:

101. Mogwai- Come On Die Young

102. St. Etienne – Foxbase Alpha

103. Neutral Milk Hotel – In An Aeroplane Over The Sea

104. Silver Jews – American Water

105. Nick Cave & The Bad Seeds – Your Funeral, My Trial

106. The Breeders – Last Splash

107. Leonard Cohen – I’m Your Man

108. Plush – More You Becomes You

109. Pulp – Different Class

110. Dinosaur Jr. – Bug

111. Bjork – Debut

112. Jane’s Addiction – Nothing’s Shocking

113. The Cure – Kiss Me Kiss Me Kiss Me

114. Manic Street Preachers – The Holy Bible

115. Magnetic Fields – 69 Love Songs

116. Wilco – Summerteeth

117. Julee Cruise – Floating Into The Night

118. Eric B & Rakim – Paid In Full

119. Kate Bush – The Sensual World

120. The Chills – Kaleidoscope World

121. The Fall – Extricate

122. Nick Cave & The Bad Seeds – Tender Prey

123. Underworld – Dubnobasswithmyheadman

124. XTC – Skylarking

125. The Triffids – Born Sandy Devotional

126. High Llamas – Hawaii

127. Belle & Sebastian – The Boy With The Arab Strap

128. Guided By Voices – Bee Thousand

129. Radiohead – The Bends

130. Johnny Cash – American Recordings

131. Electronic – Electronic

132. Smashing Pumpkins – Siamese Dream

133. The Costello Show – King Of America

134. Depeche Mode – Violator

135. Hüsker Dü – Candy Apple Grey

136. Tindersticks – Tindersticks (first)

137. The Lilac Time – The Lilac Time

138. Wilco – Being There

139. Epic Soundtracks – Rise Above

140. Felt – Forever Breathes The Lonely Word

141. Big Black – Atomizer

142. Paul Weller – Wildwood

143. Sebadoh – Bakesale

144. Nick Cave & The Bad Seeds – The Good Son

145. Bonnie Prince Billy – I See A Darkness

146. Spacemen 3 – Playing With Fire

147. Tom Waits – Frank’s Wild Years

148. Beastie Boys – Ill Communication

149. Beastie Boys – Check Your Head

150. Edwyn Collins – Gorgeous George

151. Blur – Modern Life Is Rubbish

152. Tindersticks – Tindersticks (second)

153. A Tribe Called Quest – People’s Instinctive Travels…

154. Elliot Smith – Either Or

155. High Llamas – Gideon Gaye

156. The Orb – Adventures Beyond The Ultraworld

157. NAS – Illmatic

158. Stereolab – Mars Audiac Quintet

159. AR Kane – 69

160. The Chills – Submarine Bells

161. Spacemen 3 – The Perfect Prescription

162. David Bowie – 1. Outside

163. Blur – Parklife

164. U2 – The Joshua Tree

165. Suede – Suede

166. The Replacements – Pleased To Meet Me

167. Mogwai – Young Team

168. The Cramps – A Date With Elvis

169. Grant Hart – Intolerance

170. Goldie – Timeless

171. The KLF – Chill Out

172. George Michael – Listen Without Prejudice Vol.1

173. PJ Harvey – Rid Of Me

174. REM – Out Of Time

175. The Go-Betweens – Tallulah

176.. Whipping Boy – Heartworm

177. Daft Punk – Homework

178. Public Enemy – Yo! Bum Rush The Show

179. Beck – Mellow Gold

180. St. Etienne – So Tough

181. Cowboy Junkies – The Trinity Session

182. Radiohead – Pablo Honey

183. U2 – Achtung Baby

184. Etienne DeCrecy – Super Discount

185. Leftfield – Leftism

186. Nirvana – MTV Unplugged

187. Felt – Me And A Monkey On The Moon

188. Julian Cope – Peggy Suicide

189. Stereolab – Transient Random-Noise Bursts…

190. Happy Mondays – Pills ‘N’ Thrills & Bellyaches

191. The Fall – Shiftwork

192. The Breeders – Pod

193. The Wedding Present – Seamonsters

194. Gang Starr – Step In The Arena

195. The Durutti Column – Vini Reilly

196. Momus – The Poison Boyfriend

197. Slowdive – Souvlaki

198. Arthur Russell – World Of Echo

199. Thin White Rope – Moonhead

200. Throwing Muses – The Real Ramona

————————————————–

Strange, Sublime or still loved by some… (One Vote Wonders 1986-99)

Barry Adamson – Oedipus Schmoedipus

Apples In Stereo – Tone Soul Evolution

Autechre – Tri Repetae

B12 – Time Tourist
Baader Meinhof – Baader Meinhof
Basic Channel – BCD
The Bodines – Played
Bongwater – Too Much Sleep
Black Science Orchestra – Walter’s Room
Bronco Bullfrog – Bronco Bullfrog
Brian Jonestown Massacre – Their Satanic Majesties Request
The Cardiacs – Sing To God
The Chamber Strings – Gospel Morning 
Chorchozade – Made To Be Devoured
Coil – Astral Disaster
Bobby Conn – Rise Up!
The Cook The Thief His Wife & Her Lover (OST)
Current 93 – Swastikas For Noddy
Holger Czukay – Rome Remains Rome
Damon & Naomi – More Sad Hits
Richard Davies – There’s Never Been A Crowd Like This 
Miles Davis & Michel Legrand – Dingo
Dead Moon – Unknown Passage
DreamWarriors – And Now The Legacy Begins
EPMD – Strictly Business
Eno / Cale – Wrong Way Up
John Fahey – Red Cross
Tav Falco’s Panther Burns – Red Devil
Field Mice – Snowball
Robbie Fulks – South Mouth
Godspeed You Black Emperor – Slow Riot For New Zero Kanada EP
Jean Luis Guerra – Bachata Rosa
The Gun Club – Mother Juno
A Guy Called Gerald – Black Secret Technology
Half Japanese – The Band That Would Be King 
Roland S Howard – Teenage Snuff Film
Hugo Largo – Drum
Zakir Hussain – Making Music
Jazz Butcher – Cult Of The Basement
Daniel Johnston- 1990
Jungle Brothers – Done By The Forces Of Nature
Katherine – Les Creatures
Kreisler String Orchestra – 226
Laughing Hyenas – Life Of Crime
LL Cool J – Radio
Low – Christmas
Luna – Penthouse
Lush – Scar
Luxuria – Unanswerable Lust
MC Solaar – Prose Combat
Madder Rose – Bring It Down
Kirsty McColl – Kite

Grant McLennan – Fireboy

Mekons – The Mekons’ Rock’n’Roll

Missy Elliott – Supa Dupa Fly

Morphine – Cure For Pain

Le Mystere de Voix Bulgares – Vol. 3

Negativland – Escape From Noise
Olivia Tremor Control – Black Foliage

Opal – Early Recordings

Orbital – In Sides

Augustus Pablo- Rising Sun

Paragon Ragtime Orchestra – On The Level, You’re A Little Devil

The Pastels – Mobile Safari

Pere Ubu – The Tenement Year

Lee Perry – From The Secret Laboratory

Louis Philippe – Azure

Prince – The Black Album

Steve Reich – Different Trains

Jonathan Richman – I’m So Confused

Kevin Rowland – The Wanderer

Royal Trux – Cats & Dogs

Salt ‘n’ Pepa – Hot, Cool, Vicious

Scott 4 – Works Project

The Sea & Cake – The Fawn

Shop Assistants – Shop Assistants

Silver Sun – Silver Sun

Spectrum – Soul Kiss

Stars Of The Lid – Avec Laudenum 

The Stone Roses – Second Coming

Sun Ra Arkestra – Mayan Temple

James Taylor Quartet – Wait A Minute

Martin Taylor – Don’t Fret

Til Tuesday – Everything’s Different Now

To Rococo Rot – Amateur View

Truman’s Water – Spasm Smash XXXOxox Ox & Ass

Maureen Tucker – Life In Exile After Abdication 
UNKLE – Psyence Fiction
Alan Vega – 2007
The Verlaines – Bird-Dog
Volcano Suns – Bumper Crop
Gillian Welch – Revival
Jim White – The Mysterious Tale Of How I Shouted Wrong-Eyed Jesus
Wild Swans – Bringing Home The Ashes
The Wolfhounds – Blown Away
The Woodentops – Giant
Robert Wyatt – Shleep
The Young Gods – The Young Gods
John Zorn – Naked City

Thank You!

As ever we are greatly indebted to the following list of contributors:

Bill Ainsworth, Camilla Aisa, Andy (Birmingham’81), David Ayling, Michael Bailey (Soft Hearted Scientists), Billy Bell, Caroline Binnie, Nick Blakey (Underground Jukebox), Chris Bounds, Stephen Boyd, Johny Brown (Band Of Holy Joy), Johnny Browning, David Bruce, Colin Brunton, Helen Bull, Kevin Byrne, Paul Callanan, Chris Canham, Chris Coleman, Iain Conroy, Mike Convery, Dave Coulter, Marnie Coulter, Brian Crandall, Campbell Davidson, Laura Lee Davies, Jon Dennis, Mick Derrick, John Dickie, Andrew Divine, Neil Douglas, Seamus Duggan, Maureen Dunlop, Matthew ‘Doc’ Dunn (Cosmic Range Records), Matt Elliott, Peter Ferguson, Jason Finch, Declan Flanagan, Feargus Flanagan, Mikki Francis-Lawton, Paul Gallagher, Alfie Gildea, Paul Gildea, Darren Grayer, Theo Hakkert, Andrew Hall, Mark Harrison, Jeff Hartley, Mark Hillier, Sophie Jay, James Johnstone, Johnnie Johnstone, Martin Johnstone, Peter Johnstone, Allan Jones, Jukebox Rebel, David Kelner, John Kilbride, Harris King, Graham Kingsbury, William Knott, June Lewins, Paul Lowman, Huw M, Alastair Macduff, Gary Mackenzie, Marc (Captain Howdy), Jon Marcus, Leon Massey, Will McAlpine, Jim McCulloch, Paul McLoone (The Undertones), Grant McPhee, Fiona McQuarrie, John Medd, Graham Meikle, Rob Morgan, Greg Morse, Tony Mulraney, Paul Murray, Peter Murray, Jason Myles, Kris Needs, Huw Neill, Brendan O’Leary, Jake Palmer, Thomas Patterson, Mark Paytress, Andy Pidluznyj (New Apostles), Nick Portnell, Mark Raison, Steve Rhodes, Don Richmond, Chris Roberts, Matt Rogers, Marco Rossi, Alice Salvesen, Chris Sawle, Jo Scollin, Paul Scollin, David Sharp, Simon Shaw, Angela Slaven, Jason Spence, Iain Stansfield, Theo Stockman, David Stubbs, Andrew Thompson, Daniel Thompson, James Timoney, Terry Tochel, Ben Travers, Paul Turnbull, Ian Wade, Judah Warsky, Stevie Watt, Richard Watterson, Dominic Whittingham, Peter Wilson, ‘Winna Ding’, Sandy Wishart, Colin Wright, David Wright.

6 thoughts on “TNPC presents…THE 100 GREATEST ALBUMS MADE BETWEEN 1986-99

    1. Not a bad list by any means (although some of the best stuff appears in “the next 100” and the “Strange, Sublime or still loved by some” sections at the end; AR Kane, Hugo Largo, Young Gods, The Wooden tops, Felt, Arthur Russell). However the omission of Disco Inferno’s Di Go Pop, Insides’ Euphoria, Pram’s The Stars Are So Big…, Laika’s Silver Apples of the Moon, Bark Psychisis’ Hex, Main’s Motion Pool and the first Throwing Muses album is of course, inexcusable).

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      1. All tremendous albums. Hex got around three votes, Laika and the first amuses albums none. I would have voted for the DI EPs if eligible. But good points all. Thanks for your comments.

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